Having been on a roll with watching music biopics recently (this, 'Sid and Nancy', 'What's Love Got To Do With It', '24 Hour Party People', 'Great Balls of Fire!', 'I'm Not There', 'Notorious' and 'Nowhere Boy'), 'Control' of those films was the best.
Like most of the films mentioned, 'Control' is a divisive film, most loved it while others disliked it. As said, personally was one of the people who loved 'Control'. Not going to say that 'Control' is perfect because it isn't. It does drag and lose momentum in the final quarter and it did run out of gas at the end in terms of pace and drama where things got predictable.
However, 'Control' is an excellently made film, every part of the cinematography and images beautifully framed. There is a real evocativeness of it all. The music is absolutely exceptional as to be expected.
Enjoyed the surprisingly earthy humour, while dramatically there is a lot of heart, affecting intimacy and humanity. Those elements that director Anton Corbijn brought was a huge part of the film's appeal. Corbijn directs very strongly.
Sam Riley is utterly convincing as Curtis, a multi-layered and moving performance that balances Curtis' hyperactive stage persona and tortured personal life without a qualm. Matching him every step of the way is Samantha Morton in a poignant and resilient turn that one can really relate to.
In summary, excellent and the standout biopic on viewing music biopics recently. My favourite biopics ever are 'Amadeus' and 'The Elephant Man'. 9/10 Bethany Cox
Like most of the films mentioned, 'Control' is a divisive film, most loved it while others disliked it. As said, personally was one of the people who loved 'Control'. Not going to say that 'Control' is perfect because it isn't. It does drag and lose momentum in the final quarter and it did run out of gas at the end in terms of pace and drama where things got predictable.
However, 'Control' is an excellently made film, every part of the cinematography and images beautifully framed. There is a real evocativeness of it all. The music is absolutely exceptional as to be expected.
Enjoyed the surprisingly earthy humour, while dramatically there is a lot of heart, affecting intimacy and humanity. Those elements that director Anton Corbijn brought was a huge part of the film's appeal. Corbijn directs very strongly.
Sam Riley is utterly convincing as Curtis, a multi-layered and moving performance that balances Curtis' hyperactive stage persona and tortured personal life without a qualm. Matching him every step of the way is Samantha Morton in a poignant and resilient turn that one can really relate to.
In summary, excellent and the standout biopic on viewing music biopics recently. My favourite biopics ever are 'Amadeus' and 'The Elephant Man'. 9/10 Bethany Cox