A super secret space research plant is blown up with all its six responsible members of the team, but one manages to get out of the inferno alive, although there is not much left of him, least of all a face. The story of John Welles, played by Michael Sarrazin, is intriguing indeed, as he finds himself without identity and memory as he is returned to life by extreme surgical efforts supervised by George Peppard as the man in charge of the investigation of the disastrous sabotage. As Michael is the sole survivor and the only one left who could have known about the secrets of the plant and why it was blown up (for the purpose of selling its secrets abroad), George Peppard has every reason to be extremely concerned about his case and bringing not only the survivor back to life but also and above all his memory. This proves more or less impossible.
This is the beginning of the plot, which leads into an abyss of mysteries and thickening intrigue unto the very last moment, when everything clears. It's an ingenious story, and although the environment of the film is dreadful, bunker prisons of mammoth overwhelmingness, it is nevertheless highly recommendable, and there is Christine Belford to add some necessary softer touch to the dreadfulness and inhumanity, which unfortunately is the dominating element of the film; and when Michael finally gets even with George Peppard, even that infallible dictator must admit that he deserved it.
This is the beginning of the plot, which leads into an abyss of mysteries and thickening intrigue unto the very last moment, when everything clears. It's an ingenious story, and although the environment of the film is dreadful, bunker prisons of mammoth overwhelmingness, it is nevertheless highly recommendable, and there is Christine Belford to add some necessary softer touch to the dreadfulness and inhumanity, which unfortunately is the dominating element of the film; and when Michael finally gets even with George Peppard, even that infallible dictator must admit that he deserved it.