7/10
Completely bonkers
21 October 2019
The original Baron Munchausen is a fictional character created by Rudolf Erich Raspe in the late 18th century, loosely based on the real life baron, Hieronymus Karl Friedrich, Freiherr von Münchhausen. The character was one of the most popular pop culture icons of his day, if you can use such terms to describe him.

And then one of the most outlandish directors of our time, Terry Gilliam, got a hold of him, and the rest is history. Gilliam, originally of Monty Python fame, is an eclectic director of the weird, whose movies are always almost immediately recognizable due to their unique imagery, elaborate sets and odd manners of speech and story-telling.

Likewise here. I'd almost call this pairing of source material and director as fated in heaven. Munchausen is very much a larger-than-life character. He lives in the realms of excess, in the realm of fantasy and make-belief. Very much the realm where Terry Gilliam spends most of his days.

It also helps that the film is breathtakingly beautiful. The sets are elaborate and detailed, the costumes are lavish, the lines of dialogue are heavily sprinkled with childlike wonder and the whole tale simply goes from one unbelievable situation to another.

That being said, the film can be off-putting in how often it jumps from one subject matter to another. Plus the framing story happening in the theater is a bit lacking when compared to the actual adventures. Then again, both these things fit Baron Munchausen very well indeed, so one cannot exactly complain.

Very good film. I'd even call it one of Terry Gilliam's best. An innovative blast with oozes of content, imagination, imagery and whimsy. Very easily recommended.
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