Loïe Fuller (real name Mary-Louise), dancer-non-dancer actually choreographer, set designer and creator of theatrical machines based on the innovative use of electric light, fundamentally creative visionary, this last definition suits her in a literary way: all Today's vjs and video-performers should pay tribute to her by recognizing her pioneering in the visual arts as on the other hand, at the beginning of the 20th century, the Lumiere brothers did by immortalizing her in one of their films.
The biopic-film by debut director Stéphanie Di Giusto, inspired by the biographical essay by Giovanni Lista, starts from the state of geographical as well as psychological isolation, in a remote county of Illinois dedicated to cattle breeding, where our heroine lives . Very harsh living conditions among rude cowboys who see Mary-Louise as a "strange" girl who prefers self-acting plays and poems rather than looking after animals. This will lead her to escape and start that wonderful artistic adventure, not without disappointments, with merits that will be recognized already in her life, especially in Europe, in Paris, home of all the avant-gardes of the nascent twentieth century.
Her relationship with Isadora Duncan of which she produced the first appearances on stage is interesting, recognizing her role as a true dancer which she was not, but above all that innovative creativity that she knew well but which will also determine the beginning of her end.
Review of The Dancer
The Dancer
(2016)
All Today's vjs and video-performers should pay tribute to her by recognizing!
23 December 2020