Really did want to like this version of 'King Lear' more. The play itself is wonderful, very haunting and moving even if the titular character frustrates you at first (but one does grow to sympathise with him). Richard Eyre has done a fair share of interesting and well done theatre, film and television productions and is no stranger to Shakespeare, being director of the brilliant 'The Hollow Crown' adaptations of both 'Henry IV' parts. And of course the cast is a dream one.
'King Lear' (2018) has a lot of great things about it, but in my mind it didn't completely come together. It does laudably with a difficult play, but is rather uneven. As the cast are great and all give great performances in their own way, the atmosphere is strong and there are many memorable scenes and interactions. The truncations do hurt the pacing and storytelling sadly and quite badly and this is not one of Eyre's better overall directing efforts.
Lets start with the good things. The best thing about this 'King Lear' is the acting, which is very good to superb throughout in all the roles. Antony Hopkins mesmerises as Lear, showing poignant tragedy and titanic, near-histrionic fury in equal measure in a way that is intense, noble and affecting. Emma Thompson is a suitably venomous Goneril and Emily Watson was never this blood-thirsty, manipulative or deceptively caring. Jim Broadbent is tremendously powerful as Gloucester. Florence Pugh is very touching without being passive as Cordelia and John MacMillan is effectively creepy as Edmund. Very interesting portrayal of the Fool, not overplayed or annoying thankfully. The character interaction is also strongly handled, especially between Lear and Cordelia.
Enough of the production values are fine, the austerity of the setting and costumes suits the atmosphere of the story perfectly as it is an austere play without going too over the top in it. Steven Warbeck's score is haunting. Shakespeare's text is still complex emotionally and sheer poetry, it is a shame though that it is so heavily abridged. The story is compelling enough and has some great moments, the big scene between Lear and Cordelia brought tears to my eyes and the film has one of the most unsettling renditions of the gouging of the eyes scene.
However, there are quite a number of glaring flaws. The text is heavily abridged and with so much cut out the pacing and story suffer. As does some of the character writing. The pacing feels very rushed frequently and the story feels choppy and regularly confuses, even for somebody who is familiar with the play so goodness knows how those that are not would feel. A shame as there are scenes that are done very well, especially those aforementioned.
Furthermore, not all the characters are done justice. Lear, Cordelia and Gloucester are. Less successful in particular are Edmund and Regan, though as indicated they are both played excellently. Edmund is very sketchily written with underdeveloped motivations and Regan is not enough of the seemingly sympathetic and "we can trust her" character one thinks she is at first but comes over as manipulative and all round evil from the start. Eyre's direction has enough flashes of brilliance, but tends to be too heavy-handed. Some of the camerawork veers on gimmicky.
In conclusion, a lot to like but some big drawbacks too. Frustratingly uneven. 6/10.
'King Lear' (2018) has a lot of great things about it, but in my mind it didn't completely come together. It does laudably with a difficult play, but is rather uneven. As the cast are great and all give great performances in their own way, the atmosphere is strong and there are many memorable scenes and interactions. The truncations do hurt the pacing and storytelling sadly and quite badly and this is not one of Eyre's better overall directing efforts.
Lets start with the good things. The best thing about this 'King Lear' is the acting, which is very good to superb throughout in all the roles. Antony Hopkins mesmerises as Lear, showing poignant tragedy and titanic, near-histrionic fury in equal measure in a way that is intense, noble and affecting. Emma Thompson is a suitably venomous Goneril and Emily Watson was never this blood-thirsty, manipulative or deceptively caring. Jim Broadbent is tremendously powerful as Gloucester. Florence Pugh is very touching without being passive as Cordelia and John MacMillan is effectively creepy as Edmund. Very interesting portrayal of the Fool, not overplayed or annoying thankfully. The character interaction is also strongly handled, especially between Lear and Cordelia.
Enough of the production values are fine, the austerity of the setting and costumes suits the atmosphere of the story perfectly as it is an austere play without going too over the top in it. Steven Warbeck's score is haunting. Shakespeare's text is still complex emotionally and sheer poetry, it is a shame though that it is so heavily abridged. The story is compelling enough and has some great moments, the big scene between Lear and Cordelia brought tears to my eyes and the film has one of the most unsettling renditions of the gouging of the eyes scene.
However, there are quite a number of glaring flaws. The text is heavily abridged and with so much cut out the pacing and story suffer. As does some of the character writing. The pacing feels very rushed frequently and the story feels choppy and regularly confuses, even for somebody who is familiar with the play so goodness knows how those that are not would feel. A shame as there are scenes that are done very well, especially those aforementioned.
Furthermore, not all the characters are done justice. Lear, Cordelia and Gloucester are. Less successful in particular are Edmund and Regan, though as indicated they are both played excellently. Edmund is very sketchily written with underdeveloped motivations and Regan is not enough of the seemingly sympathetic and "we can trust her" character one thinks she is at first but comes over as manipulative and all round evil from the start. Eyre's direction has enough flashes of brilliance, but tends to be too heavy-handed. Some of the camerawork veers on gimmicky.
In conclusion, a lot to like but some big drawbacks too. Frustratingly uneven. 6/10.