It 's a big, sprawling movie about a Hispanic block in upper Manhattan's Washington Heights, and how each of them has his or her own dream, most of which are some variation of getting out of Washington Heights. It's a steady, dependable sort of multi-generational plot that was paying Fanny Hurst's bills more than a century ago, the stories and dreams seem well told, even if there are too may of them to keep in your head when we return to a particular character. It's also a musical, the one that Lin-Manuel Miranda wrote and directed and starred in to make his bones. John Chu has taken over the direction and Anthony Ramos the role.
There's some handsome, if not original choreography in this movie, bits lifted from WEST SIDE STORY and ROYAL WEDDING. It follows the tendency to make a big production number out of every dance. Until the next to last one, I experienced the despair I so often feel looking at modern movie musicals, convinced they've forgotten how to move the camera, but instead cut, cut, cut. The last dance, however, showed they hadn't. They just would rather do a zip cut than plan out the complex movements.
Sigh. Still, the songs were surprisingly strong, particularly "Paciencia Y Fe", sung by Olga Merediz. It's a skilled and enthusiastic cast, and it makes me hope that Hollywood will go back to making musicals, that are more than Broadway musicals filmed in front of a proscenium arch.
There's some handsome, if not original choreography in this movie, bits lifted from WEST SIDE STORY and ROYAL WEDDING. It follows the tendency to make a big production number out of every dance. Until the next to last one, I experienced the despair I so often feel looking at modern movie musicals, convinced they've forgotten how to move the camera, but instead cut, cut, cut. The last dance, however, showed they hadn't. They just would rather do a zip cut than plan out the complex movements.
Sigh. Still, the songs were surprisingly strong, particularly "Paciencia Y Fe", sung by Olga Merediz. It's a skilled and enthusiastic cast, and it makes me hope that Hollywood will go back to making musicals, that are more than Broadway musicals filmed in front of a proscenium arch.