Bodyguard Michael Bryce (Ryan Reynolds) is haunted from losing a client to hitman Darius Kincaid (Samuel L. Jackson). He lost his credentials in the aftermath. He's taking a sabbatical from violence and guns. He's kidnapped by Darius' wife Sonia (Salma Hayek) to join her in rescuing Darius. Then the trio gets kidnapped by Interpol to stop supervillain Aristotle Papdopolous (Antonio Banderas).
The first movie is a mess but I like the actors' chemistry. I especially like Salma Hayek's scene stealing turns. I thought that the movie needed to make the duo into a trio. In this sequel, that's exactly what happens. Salma Hayek becomes a central lead. She's as crazy as ever. I like her craziness coupled with Ryan Reynolds. The story remains a mess. Quite frankly, the plot doesn't really matter. It is frenetic to the point of chaotic. Nobody should care about the diamond drill. I just enjoy some of the moments with the three leads together. Everything else around them is a blur and there are great actors being wasted as supporting characters. What the franchise needs at this point is competent writing and a director willing to let these three actors cook for long stretches. It doesn't need a heavy hand at the wheel pushing the plot.
The first movie is a mess but I like the actors' chemistry. I especially like Salma Hayek's scene stealing turns. I thought that the movie needed to make the duo into a trio. In this sequel, that's exactly what happens. Salma Hayek becomes a central lead. She's as crazy as ever. I like her craziness coupled with Ryan Reynolds. The story remains a mess. Quite frankly, the plot doesn't really matter. It is frenetic to the point of chaotic. Nobody should care about the diamond drill. I just enjoy some of the moments with the three leads together. Everything else around them is a blur and there are great actors being wasted as supporting characters. What the franchise needs at this point is competent writing and a director willing to let these three actors cook for long stretches. It doesn't need a heavy hand at the wheel pushing the plot.