This is certainly not quite the movie I thought it was going to be. The premise plainly welcomes a purely dramatic approach to the narrative, but film-maker Riley Stearns also adopts a very dry, dark comedic tone that's mostly more direly awkward than funny. 'Faults' is a movie for a very niche audience.
It's such an oddity. Mary Elizabeth Winstead is a great actress who has more than proven herself in a dynamic variety of roles, and her wry mannerisms are a treasure. She readily holds our attention with every passing scene. Chris Ellis and Beth Grant are both solid performers with a long list of credits between them. Yet it's Leland Orser, characteristically a supporting player in any given feature, who has the lead role in 'Faults.' Capable and steady though he is in any part, here he deftly maneuvers the demands of the protagonist - and more than that, he's a swell scene partner with Winstead. The crumbling confidence Orser bears as Ansel works in wonderful tandem with Winstead's resolute calm to keep us engaged, even through early scenes that are rough around the edges. The phenomenal turn that comes in the last segment of the film, giving 'Faults' brilliant new life, allows Winstead to take center stage, and we see the force of personality she carries so well. The much more nuanced portrayals she and Orser give us near the conclusion are alone worth the ride.
I just wish the rest of the movie were as consistently superb as the last 20 or so minutes. The acrid sense of humor about the screenplay doesn't mesh well with the dramatic overtones - in fact, it feels more like a clash for no small part of the runtime. The twist turns everything on its head, but 'Faults' relies too much on that exhilarating development to shoulder the heft of the picture. There's a long sense of something missing, of the constituent parts just not entirely clicking in the way that's intended. That's unfortunate, because considered as a whole, this really is a pretty fantastic movie.
It's a fine view for a general audience, though fans of the cast - and of Winstead especially - will find this most rewarding. A marvelous ending mostly makes up for the frailties that peek through earlier in the movie, and while uneven, this is very much worth watching. 'Faults' isn't what I anticipated - and ultimately, I'm thankful for that.
It's such an oddity. Mary Elizabeth Winstead is a great actress who has more than proven herself in a dynamic variety of roles, and her wry mannerisms are a treasure. She readily holds our attention with every passing scene. Chris Ellis and Beth Grant are both solid performers with a long list of credits between them. Yet it's Leland Orser, characteristically a supporting player in any given feature, who has the lead role in 'Faults.' Capable and steady though he is in any part, here he deftly maneuvers the demands of the protagonist - and more than that, he's a swell scene partner with Winstead. The crumbling confidence Orser bears as Ansel works in wonderful tandem with Winstead's resolute calm to keep us engaged, even through early scenes that are rough around the edges. The phenomenal turn that comes in the last segment of the film, giving 'Faults' brilliant new life, allows Winstead to take center stage, and we see the force of personality she carries so well. The much more nuanced portrayals she and Orser give us near the conclusion are alone worth the ride.
I just wish the rest of the movie were as consistently superb as the last 20 or so minutes. The acrid sense of humor about the screenplay doesn't mesh well with the dramatic overtones - in fact, it feels more like a clash for no small part of the runtime. The twist turns everything on its head, but 'Faults' relies too much on that exhilarating development to shoulder the heft of the picture. There's a long sense of something missing, of the constituent parts just not entirely clicking in the way that's intended. That's unfortunate, because considered as a whole, this really is a pretty fantastic movie.
It's a fine view for a general audience, though fans of the cast - and of Winstead especially - will find this most rewarding. A marvelous ending mostly makes up for the frailties that peek through earlier in the movie, and while uneven, this is very much worth watching. 'Faults' isn't what I anticipated - and ultimately, I'm thankful for that.