Rostand's play is a durable one, even if it does seem implausible.... but in drawing the character of Cyrano de Bergerac, was accurate. De Bergerac was a French officer with an enormous nose, who wrote excellent poetry, dramas, and even a novel about a trip to the moon. I don't know how accurate the story of his duelling ten people in one night was, but no one ever called him a liar on it while he lived.
In casting Peter Dinklage as Cyrano -- without the nose -- director Joe Wright has expanded the character's touchy honor to all the physical slurs people undergo; that's not a bad idea. Dinklage is a problematic choice, given that someone his size would not have been enlisted in the French Army in this period. Once, however, you accept this, his expressive features reveal everything about the character. Haley Bennett as Roxanne is enchanting, and Kelvin Harrison Jr. As Christian is a kindly if slow-witted young fellow: a perfect tenor for Grand Opera.
I'm not fond of the music for the songs, which seem to be largely recitative, and only one song had first-class lyrics: "Where I Fall". Nonetheless, Wright and his cameraman, Seamus McGarvey, understand that the songs in a musical are about what's going on inside the performers' heads, and use a highly mobile camera to obliterate the space. In between those, they find a lot of beautiful scenes to shoot, looking like ancien regime paintings. It's not the best take I've seen; that would be the one with Gérard Depardieu. But this is a very good one too.
In casting Peter Dinklage as Cyrano -- without the nose -- director Joe Wright has expanded the character's touchy honor to all the physical slurs people undergo; that's not a bad idea. Dinklage is a problematic choice, given that someone his size would not have been enlisted in the French Army in this period. Once, however, you accept this, his expressive features reveal everything about the character. Haley Bennett as Roxanne is enchanting, and Kelvin Harrison Jr. As Christian is a kindly if slow-witted young fellow: a perfect tenor for Grand Opera.
I'm not fond of the music for the songs, which seem to be largely recitative, and only one song had first-class lyrics: "Where I Fall". Nonetheless, Wright and his cameraman, Seamus McGarvey, understand that the songs in a musical are about what's going on inside the performers' heads, and use a highly mobile camera to obliterate the space. In between those, they find a lot of beautiful scenes to shoot, looking like ancien regime paintings. It's not the best take I've seen; that would be the one with Gérard Depardieu. But this is a very good one too.