After the rather drab, talky and alienating Alex Kurtzman soap operas of Picard and Discovery, Strange New Worlds returns us to the Roddenberry version of the show (ST, ST:NG, ST:Voyager, movies). Once again, we can imagine ourselves on the bridge, empathize with real characters and most of all, enjoy tightly-written scripts that don't insult the audience with dull backstory or gratuitous dialog.
It's not all perfect. There are no characters that immediately shine like a Data or a Seven, the bridge is a little too busy in its design. But the writing is the sharpest since Deep Space Nine, the actors better cast and most of all, while there's no acting on par with Stewart or Mulgrew, there's reason to celebrate this return to the Roddenberry version where disciplined writing and a well-lit Enterprise invite us in to experience adventures that include all of us. Hooray!
It's not all perfect. There are no characters that immediately shine like a Data or a Seven, the bridge is a little too busy in its design. But the writing is the sharpest since Deep Space Nine, the actors better cast and most of all, while there's no acting on par with Stewart or Mulgrew, there's reason to celebrate this return to the Roddenberry version where disciplined writing and a well-lit Enterprise invite us in to experience adventures that include all of us. Hooray!