The scenario: Kastoria, a small town in Macedonia, Greece, not far from the borders with Albania and North Macedonia. Ilias Apostolou. In his twenties, has been unemployed; he lives with his mother Soula in borderline poverty (Soula does outside sewing work for a living). We are under the brutal, sadistic right wing regime of the Colonels that overthrew the constitutional government in 1967 and lasted until 1974, unabashedly supported by the US. We witness the brutal chasm between the haves and the have nots in Kastoria; Ilias and his mother belong to the latter and their situation is worsened by the fact that Ilias' late father was a Communist militant.
Ilias has a distant relative in France, Gerasimos, who makes a decent living as a furrier and even owns a house in the periphery of Paris, in a squalid and unsafe neighborhood. Before traveling to France, Ilias picks up on the street the photo of an attractive young woman. He is received with initial distrust by Gerassimos but gradually a friendship develops among the two men. The plot: Ilias invents a perfectly unmotivated lie about the photograph. For the rest of the movie the lie snowballs into bigger and bigger falsehoods, with dire consequences.
On its face, this film could be classified as a black comedy (as in the episode with "the ecologists"). On second thought, however, ir is something else. It centers on the plight of emigrants, born on wrong side of the tracks and forced to leave their country for politic or economic reasons or just to to evade daily (and lifetime) abuse. In their new country their status as illegals makes them vulnerable to the authorities. They are occasionally helped by relatives or strangers, but good samaritans are under the shadow of monstrous laws like one in France threatening five years in jail and a fine of 30,000 euros for "assisting an illegal immigrant." Finally, even in the (very few) cases where legal status is attained, the immigrant is cut off from his own roots and culture, discriminated against and isolated. All these themes are touched upon without preaching in this exceptional film.
Ilias has a distant relative in France, Gerasimos, who makes a decent living as a furrier and even owns a house in the periphery of Paris, in a squalid and unsafe neighborhood. Before traveling to France, Ilias picks up on the street the photo of an attractive young woman. He is received with initial distrust by Gerassimos but gradually a friendship develops among the two men. The plot: Ilias invents a perfectly unmotivated lie about the photograph. For the rest of the movie the lie snowballs into bigger and bigger falsehoods, with dire consequences.
On its face, this film could be classified as a black comedy (as in the episode with "the ecologists"). On second thought, however, ir is something else. It centers on the plight of emigrants, born on wrong side of the tracks and forced to leave their country for politic or economic reasons or just to to evade daily (and lifetime) abuse. In their new country their status as illegals makes them vulnerable to the authorities. They are occasionally helped by relatives or strangers, but good samaritans are under the shadow of monstrous laws like one in France threatening five years in jail and a fine of 30,000 euros for "assisting an illegal immigrant." Finally, even in the (very few) cases where legal status is attained, the immigrant is cut off from his own roots and culture, discriminated against and isolated. All these themes are touched upon without preaching in this exceptional film.