...in this follow up to the hit 2014 film from director and co-writer Matthew Vaughn. Taron Egerton stars as "Eggsy" aka Agent Galahad of the Kingsman Secret Service, a clandestine British intelligence group. After the Kingsman organization is decimated by a surprise attack, Eggsy and tech wiz Merlin (Mark Strong) head to the US to connect with the Statesman group, their American counterparts. Together they must find and defeat the Golden Circle, an international drug cartel headed by the chipper Poppy Adams (Julianne Moore).
While not rising to the high-spirited, manic fun of the first film, this is still worth a look for fans of fast-paced, comedic action films that don't take themselves seriously in the least. In many ways the plot and the villains are a rehash of the prior film, and while the Statesman characters have possibilities, they aren't fleshed out enough. The return of one character that very clearly died in the first film is something I won't go into, although the advertising made no attempt to hide his return. Elton John, as himself, has fun with his role as the unwilling prisoner of Moore's drug lord who's forced to perform his greatest hits on command. This film's centerpiece action sequence, set to John's "Saturday's Alright for Fighting", is well done, but fails to match the first film's Lynyrd Skynyrd "Free Bird" bloodbath.
While not rising to the high-spirited, manic fun of the first film, this is still worth a look for fans of fast-paced, comedic action films that don't take themselves seriously in the least. In many ways the plot and the villains are a rehash of the prior film, and while the Statesman characters have possibilities, they aren't fleshed out enough. The return of one character that very clearly died in the first film is something I won't go into, although the advertising made no attempt to hide his return. Elton John, as himself, has fun with his role as the unwilling prisoner of Moore's drug lord who's forced to perform his greatest hits on command. This film's centerpiece action sequence, set to John's "Saturday's Alright for Fighting", is well done, but fails to match the first film's Lynyrd Skynyrd "Free Bird" bloodbath.