But watchable and entertaining if not a top-rate thriller with the acclaimed character range, complexity, atmosphere and acting chops Broadchurch brought to this genre. Then most shows touted as Broadchurch quality aren't.
David Tenant's detective is intentionally charmless and interpersonally challenged. His partner would be fired in real life for her sappy lack of professionalism as, though repeatedly warned, she keeps advocating for the family. And none of the lesser roles are very interesting.
Love the beachy town. Plot fairly involving. Nick Nolte does an entirely credible job playing an old geezer while the young journalists could be played by anybody nice looking.
I find it irritating, in reality too, that the family vs police theme revolves around their resentment at not being let inside all the investigative operations, thinking, discoveries. Police don't help because they refuse to explain exactly why total transparency is out of the question, their liason is equally ill-equipped to field family's frustration, and at times, detectives promise to keep them abreast when to do so risks undermining attempts to find the culprit and could jeopordize a future court case.
More than half way through I can't yet predict who done it though I can spot some red herrings.
If you are a Tennant fan and can suspend the obvious comparison to Broadchurch, by which this version is a hands-down impoverished relative, give Gracepoint a chance. Undemanding, rather bland fare, but not as awful as some critics claim.
David Tenant's detective is intentionally charmless and interpersonally challenged. His partner would be fired in real life for her sappy lack of professionalism as, though repeatedly warned, she keeps advocating for the family. And none of the lesser roles are very interesting.
Love the beachy town. Plot fairly involving. Nick Nolte does an entirely credible job playing an old geezer while the young journalists could be played by anybody nice looking.
I find it irritating, in reality too, that the family vs police theme revolves around their resentment at not being let inside all the investigative operations, thinking, discoveries. Police don't help because they refuse to explain exactly why total transparency is out of the question, their liason is equally ill-equipped to field family's frustration, and at times, detectives promise to keep them abreast when to do so risks undermining attempts to find the culprit and could jeopordize a future court case.
More than half way through I can't yet predict who done it though I can spot some red herrings.
If you are a Tennant fan and can suspend the obvious comparison to Broadchurch, by which this version is a hands-down impoverished relative, give Gracepoint a chance. Undemanding, rather bland fare, but not as awful as some critics claim.