At the soon to be closed Yankee Pedlar Inn, the last remaining employees consisting of college dropout Claire (Sara Paxton) and amateur paranormalist Luke (Pat Healy) while away the hours tending to the limited assortment of guests or hunting for ghost activity to post on Luke's website detailing the Inn's hauntings. With the arrival of former actress turned spiritualist Lee (Kelly McGillis), Claire uses Lee's guidance to push her amateur paranormal hunts to greater extremes.
The Innkeepers is the third major film from writer/director Ti West following his two 2009 films The House of the Devil and Cabin Fever 2: Spring Fever. Although West had been slated to The Haunting in Georgia (better known as The Haunting in Connecticut 2: Ghosts of Georgia), West dropped out early on presumably to avoid a repeat experience of producer interference that befell Cabin Fever 2. Centered around the real life haunting hot spot the Yankee Pedlar Inn in Torrington, Connecticut the movie was filmed on location with many scenes shot at the actual Inn. Much like West's House of the Devil, The Innkeepers is undeniably influenced by past genre staples, but also like House of the Devil, West showcases a strong understanding of character and atmosphere.
A big part of what appealed to me with The Innkeepers was the performances and dynamics between the two leads Sara Paxton and Pat Healy. Both of them feel like well rounded everyday people who are underemployed and their interactions where they play silly games or pranks reminded me of the interactions seen in Kevin Smith's Clerks where he explored minimum wage tedium. The movie does a solid job of making the Yankee Pedlar a character unto itself and we get some moments between Claire, Luke, and the guests with Kelly McGillis quite good as the obligatory psychic expert who adds some solid humor and humanity to her performance. Much like House of the Devil, The Innkeepers is a slow burn with most of the scares situated in the back half as we build character and atmosphere in the first. Granted there were times where maybe I began to wander a little bit, but there'd always be something around the corner that would pull me back in.
Ti West continues to show his penchant for mining familiar territory and making it feel knew with solid characters and atmosphere. Definitely well worth a viewing.
The Innkeepers is the third major film from writer/director Ti West following his two 2009 films The House of the Devil and Cabin Fever 2: Spring Fever. Although West had been slated to The Haunting in Georgia (better known as The Haunting in Connecticut 2: Ghosts of Georgia), West dropped out early on presumably to avoid a repeat experience of producer interference that befell Cabin Fever 2. Centered around the real life haunting hot spot the Yankee Pedlar Inn in Torrington, Connecticut the movie was filmed on location with many scenes shot at the actual Inn. Much like West's House of the Devil, The Innkeepers is undeniably influenced by past genre staples, but also like House of the Devil, West showcases a strong understanding of character and atmosphere.
A big part of what appealed to me with The Innkeepers was the performances and dynamics between the two leads Sara Paxton and Pat Healy. Both of them feel like well rounded everyday people who are underemployed and their interactions where they play silly games or pranks reminded me of the interactions seen in Kevin Smith's Clerks where he explored minimum wage tedium. The movie does a solid job of making the Yankee Pedlar a character unto itself and we get some moments between Claire, Luke, and the guests with Kelly McGillis quite good as the obligatory psychic expert who adds some solid humor and humanity to her performance. Much like House of the Devil, The Innkeepers is a slow burn with most of the scares situated in the back half as we build character and atmosphere in the first. Granted there were times where maybe I began to wander a little bit, but there'd always be something around the corner that would pull me back in.
Ti West continues to show his penchant for mining familiar territory and making it feel knew with solid characters and atmosphere. Definitely well worth a viewing.