She set sail again at the bottom of the valley, like a transparent Buddha. The scene of the building was very shocking. As she went up the stairs, it rained heavily outside the building, and the corridor lights came on in turn. She returned to the small house where she lived alone. Suddenly, the window opened, and I seemed to be able to feel the cold wind sweeping away her body temperature. But everything was mysterious. The camera only watched from a distance. Le Ying's expression, manner, and psychology could not be touched until her suicide was finally revealed, and I could understand her pain. Very interesting design, the third person view does not weaken the sense of story of the camera, but makes everything possible. Great movie, I rarely feel satisfied in the cinema, but this one made me enjoy it.
