Tales from the Quadead Zone (Video 1987) Poster

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3/10
Only slightly less awful than Black Devil Doll From Hell.
Zbigniew_Krycsiwiki30 May 2014
Chester Novell Turner returns from (or to?) Black Devil Doll territory with this anthology, which barely even qualifies as an anthology, as the framework apparently counts as one story, and there are only two stories presented.

Shirley Jones returns as well to play a woman haunted by her dead son's invisible ghost. She reads him a pair of stories from a book, the first involves a hillbilly killing his family, off-screen, in order to eat their sandwiches at dinnertime. Or, at least she starts to tell him the story. Turner seemingly either ran out of money, or interest in it, because crummy intertitles abruptly finish the tale for her, and the audience, after a short run time.

The second is about a guy who tries to bury his dead brother under his house. For some strange reason, he feels compelled to shout profanities at the dead body before dressing him as a clown and digging the grave. For some even stranger reason, being dressed as a clown somehow reanimates his brother's corpse, the two men battle it out in the cellar, while dead clown brother recites from cue cards lines of dialogue, which is then heavilly distorted to make it unintelligible.

That is the extent of the stories read by this woman. The third tale is, one supposes, the story of her husband coming home and whacking her over the head with the book from Hell, before getting himself shot and killed by her.

Slightly less annoying than Novell's earlier Black Devil Doll From Hell, and not quite as technically inept (we don't hear high pitched buzzing noises on the soundtrack this time around) Truthfully, the dead clown brother segment wasn't bad, in a zero-budget, late night cable television sort of way, but I doubt I could endure this a second time.

The closing credits read: "Tales from the Quadead Zone will return", implying that a sequel might emerge, which, thankfully, never happened.
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3/10
Rough but has heart
BandSAboutMovies20 March 2021
Warning: Spoilers
Shirley Latanya Jones (Black Devil Doll from Hell) is the star of this Shot On Video (SOV) anthology - can two stories be an anthology? - as she reads to her dead son from a book called Tales from the QuadeaD Zone.

The first one, "Food for ?" is all about a redneck family getting killed because they can't afford enough food for everyone. Then, "The Brothers" has an evil zombie clown from Hell, so it has that going for it. You know, if you hate a sibling and then they die, maybe don't paint them up like a clown.

Then, Shirley kills her boyfriend.

Hand drawn titles, barely competent cinematography and tons of gore. What's not to enjoy?

Director Chester Novell Turner worked in home remodeling and wrote horror stories on the side before making this movie and Black Devil Doll From Hell. He was unhappy with how Hollywood Home Video sold his first movie, so he distributed this one himself. There were about a hundred copies of this movie sold in Chicago and that was it. After all, there was a rumor that Turner had died in a 1996 car accident. Happily, Louis Justin of Massacre Video found him in order to get the rights to release this movie on DVD.

This isn't a good movie. But you have to give it to Turner. He had a dream and he took his shot.
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4/10
The sound and lighting is horrendous.
jimy2319 October 2012
This is one of the weaker horror anthologies i have seen the light and sound are the worst and boy does it drag. A woman tells hers son who's a ghost some stories from a book called tales from the Quadead zone . The first story which is not even ten min's long is about a poor family who has to fight for there food one family member becomes becomes dangerously hungry the second story is about a angry brother who's more popular and favorite brother dies and he plans to bury him under the house in a clown suit there's one part where he goes on for 5 min's yelling at his brother saying he planned to kill him before he died. You feel bad for him his brother was a jerk always trying to one up him. Thats the last story from the book the movie ends with the woman's husband coming home and starting a fight which ends with him being stabbed.This is one of those shot on video movies that was filmed on a camcorder the sound is so bad when a ghost talks it non understandable the son sound like whispering when a scene is shot in a dark room it's pitch dark and for a movie thats only an hour long it drags there so much padding. The theme song is so off key it sound like some jive witch is singing it.
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1/10
There is a fifth dimension beyond that which is known to man. It is a dimension of grainy imagery, muffled sound, and lo-fi music...
BA_Harrison30 April 2020
In the '80s, if you had nothing but loose change in your pocket and wanted to make a film, you had to make do with what you had to hand: a camcorder, friends and family for the cast, and a pair of video recorders so that you could edit tape-to-tape, resulting in a loss of sound and picture quality. Most people who shot such movies had the decency to restrict showings of their 'art' to their nearest and dearest, but somehow, a few managed to get their home-made travesties out to a wider audience. One such auteur was Chester N. Turner, whose work is unique, if nothing else.

Tales From The Quadead Zone is Chester's attempt at a horror anthology (if two stories count as such), shot on a negligible budget, with an amateur cast, a risible script, pitiful special effects, and a plinkety, plonkety Casio organ soundtrack guaranteed to grate on the nerves.

After ugly opening credits featuring amateurish drawings by the film's star Shirley L. Jones, the stories begin as a mother (Jones, sporting an extremely nasty hairdo and huge glasses) reads to her ghostly son from a book titled Tales From The Quadead Zone...

The first tale, Food for ?, sees a poverty stricken family of eight, with only enough food for four, resorting to a game of 'fastest gets to eat' at mealtimes. Eventually, one of the sons, a fat guy in dungarees, snaps and shoots several of his siblings, leaving enough grub for those left alive. The story ends with the killer given the death sentence (executed in the 'state gas chair') and his parents 'living high on the hog in witness protection program'. Everything about this tale stinks, from the script, to the acting, to the music, to the editing -- but at least it is mercifully short.

The second story is even worse, and lasts a whole lot longer. 'The Brothers' stars Keefe L. Turner as Ted, who has planned to kill his older brother Fred for stealing his wife and driving her to commit suicide. However, before Ted can carry out his dastardly deed, big bro' suffers a fatal heart attack. Still thirsting for revenge, Ted steals Fred's body from the morgue and, in an interminable monologue, tells the corpse exactly what he thinks of him, before humiliating the stiff by dressing it up as a clown and digging a grave for it in the basement. This diabolical scheme has Ted in stitches (although Turner's incessant, insufferable howling is no laughing matter for the viewer). Fred doesn't see the funny side, however, and returns from the dead to stick a pitchfork in Ted's guts.

Having finished these two dreadful tales from the Quadead Zone, the mother changes her eye-wear for an equally huge pair before answering the door to her estranged husband, who proceeds to knock her about for reading to their dead son. The woman fights back, eventually stabbing her angry spouse with a knife. Bleeding to death, the husband calls the police, who arrive to find his body in the kitchen. His wife is arrested, but allowed to visit the bathroom before being carted away, where she reminisces about her son Bobby (flashbacks featuring even bigger spectacles), before slashing her throat with a razor blade. Twenty-one hours later, her spirit is reunited with her son (via some truly awful special effects), and the storytelling continues.

Inept in almost every way imaginable, Tales From The Quadead Zone has to be of the worst examples of home-made horror that I have seen. However, in an attempt to find something nice to say about the film, I did find Bobby's whispering ghost voice rather eerie (although the real horror is definitely that hair and those glasses).
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1/10
Must be seen to be believed
mdholman23 July 2002
After searching high and low I was finally able to procure a copy of this remarkable film. I have to say, it was worth the trouble. As bad movies go, this is the cream of the crop. Though not as wonderful as the splendidly terrible "Black Devil Doll From Hell", "Quadead" does manage to reach tremendous heights of amusement. Bad movie lovers everywhere should track down this film and marvel at its splendor.
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1/10
I can't believe this was released...
Takeshi6668 November 2010
Ah, the good old days of VHS, when just about any cinematic turd could find a distributor - why else do you think so many of the movies shown on MST3K were released on VHS *before* that show was even aired? Tho I guess they had some standards; a direct to video release like Tales From the Quadead Zone probably would have never even qualified. And certainly not for a cinematic release, as the whole thing was shot on video. And it shows.

The second movie of Chester Novell Turner, who only made two films before forever disappearing into relative obscurity, shows that Chester Novell Turner is to writing what Chester Novell Turner is to directing. After a whole three minutes of lousy drawings and even lousier Casio keyboard music that makes up the movie's opening, we're introduced to the same ugly lady with the hideous hairdo that starred in the previous movie, The Black Devil Doll From Hell, who speaks to her crappy video effect of a dead son and reads him stories.

Obviously this movie is supposed to be a horror anthology like Tales from the Crypt, what with the premise and all, but for one thing, this film never even begins to work as a horror film; despite the title of the movie, there's only THREE stories in the entire film - and the third isn't even from the stupid book she reads! I don't think I need to even get into the storyline to tell you how awful this film is. Let's just say that both stories are neither interesting or terrifying, the audio mix is so bad that the awful and unfitting Casio music drowns out the already inaudible dialog.

This film really is best viewed with a group of friends while MST3K'ing the hell out of it.
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A rare find for Z budget movie lovers
Alan Fare19 January 2002
C. M. Turner did it again with TALES... and this time it was even better! Rather then try to carry the entire running time of a movie by holding onto one story, Mr Turner throws out four stories to make it more interesting (?). Shirley Jones returns as the mother of a dead son who returns from the other side with a book, TALES FROM THE QUADEAD ZONE. As she reads the stories to him they come to life on the screen. You just have to see it to believe it but this is one feat to ever make it into the public market. I am a die-hard bad movie enthusiast and I love this flick so if you don't like it, don't say I didn't warn you.
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1/10
Chester Novell Turner: Master of Pain
chow91314 April 2014
There are not words in the English language or any language to describe the pure unadulterated evil which exists in this movie.

Imagine a 1980s camcorder with no boom mic and edited with a Commodore 64. I'm not saying that as an insult. Seriously try to imagine that.

I have no idea how this home made monstrosity was committed to video and got a release.

The plot: An anthology of horror starring Shirley; a black trash housewife reading from a book the size of Webster's Dictionary to a ghost. Since we never see the ghost we just have to presume it's there.

The first story focuses on a redneck family so poor their evening ritual is literally fighting to the death over sandwiches around the dinner table. The losers starve.

The eldest son decides to "take it to the next level" by bringing his toy shotgun and murdering his family members to assure himself a sandwich.

So how does this story conclude? It doesn't! It just ends! The first story is also the best. No kidding. It gets worse from here on. Far far worse.

The second story, 'The Brothers' focuses on two black brothers. After the elder's funeral his grave is robbed by the younger brother whom takes him back home to curse him out for 20 minutes about how he stole his wife. That's right! 20 minutes of one man cursing at a dead body! His ultimate revenge is to dress his brother's corpse up like a clown. But this somehow brings his brother back to life! The undead brother strangles his brother while saying something in a computer distorted voice. This distortion sounds like Steven Hawking on super fast forward in 'Twin Peaks' Black Lodge. It's unclear if the audience is even supposed to understand what he's saying and the distortion is intended make his voice sound scary, (now we know what inspired Christopher Nolan to computer distort Christian Bale's voice as Batman) or if the distortion was merely intending to be a scary scream.

With the word "quad" in the title, we'd presume this horror anthology would have four stories but that's it. Shirley's all done reading. There are only two stories! Now Shirley's abusive husband comes home to bitch smack her with the big book. He's angry that she's been talking with the dead. Let's deal with this issue on Steve Wilkos. "I beat her for necromancy." We can only hope that next Mr. Shirley beats up John Edward.

But Shirley busts a cap (cap gun) in her abusive husband. When the police (no they don't have police costumes or fake badges, they're just two guys with toy guns saying they're the police) arrive to arrest Shirley, she slits her own throat while sitting on the toilet. If only she burned her husband alive in his bed, or shot him while eating ice cream, then she'd have nothing to fear from the police.

This is tear your eyes out bad! Aside from the truly horrible "screenplay" the photography is like Abraham Zapruder with helmet cam and the audio is almost completely unintelligible. This is as bad as I gets. And yes, I've seen all of Michael Bay's films. Bay and Chester Novell Turner are destined to be cellmates in hell.
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2/10
Absolute junk
LaoagMikey12 March 2021
One of the way I rate a movie before I even see it is to count credits for the same person. Most people get only one credit. Sometimes, people have two credits. This one has topped my previous total of credits (3) with four credits for the same person. That means that there was no oversight, no committees, no second guessing, no fixing of problems and one person has to have too much knowledge about too many things and that's impossible. So, right away, I was skeptical about this movie having any qualities to make it good. And I was richly rewarded with that initial viewpoint.

There was no story. No actors with any experience. No videographer with any experience. Nobody with any money for location or sets. I would assume that their budget for everything was at least a dollar and a half. Certainly less than two dollars for the whole thing.

This is pure garbage with no looping. Hard to understand the actors (do I dare call them actors?). No lighting. Hard to see the actors at times. No story to speak of. Just bad in every respect. I really wanted to give it 1 star but I was trying to be nice. Not sure why! Made by two brothers and their friends. Yes, I am trying to get through it but this is a tough watch. Only for the foolhardy!! You will either remember this for the rest of your life or forget it instantly. I hope I will forget it instantly!

Watch at your own risk!
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8/10
Da book, Da book, I must have Da book
HEFILM3 January 2006
This is sort of all about a book the way Black Devil Doll was about the Doll. Less out and out exploitation and better pacing set this beside that oddity as equally worth seeing for fans. Not only does this have the same Casio pre rap music score this time it has a title song!!!! It will sear your preconceptions of reality. So will "the clown" episode. So will the whispering sounds made by a dead little boy, and so will the ending.

The rest of the film is not on the same level of odd bad strangeness, it actually shows a better grasp of making a movie than Devil Doll which will make it I suppose a step down for some, but it retains much of the odd charm of that film and this time you get multiple stories each with its own oddness. This film is better acted and in many ways easier to watch, it doesn't have as many video glitches in it as Devil Doll did. Who would have thought that a short decade later video would be making inroads on traditional film production and a short decade after that be threatening film itself as a format. These little shot on video oddities show how far video has come. Wow! Poor sound remains major weak spot you'll have to play some things back a few times to hear every black-ed-wood type dialog moment that you should not miss.

Where is Chester Turner now? That's the big question, he deserves some discovery as a pioneer of shot on video horror. And someone please tell me if Black Devil Doll from Hell part 2 really exists or not.
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6/10
A new level of badness.
HumanoidOfFlesh1 September 2010
"Tales from the Quadead Zone" is an ultra-cheap horror movie/oddity shot on video from Chester Novell Turner,the man behind "Black Devil Doll from Hell".Turner is an enigmatic man.He was born in 1950,made his first feature film "Black Devil Doll from Hell" in 1984 (possibly in the Philadelphia area),made "Quadead Zone" three years later and supposedly died in a car crash in 1996."Black Devil Doll" star Shirley Jones reads her deceased son Bobby creepy tales from the book called "Tales from the Quadead Zone".The first one involves mass murder in the family of rednecks and the second one involves ghostly clown.After bloody shooting spree fat redneck dies on a gas chair(?)."Tales from the Quadead Zone" is gorier than "Black Devil Doll from Hell",but no less amateurish.There is pretty gory stabbing and suicidal throat slashing.Unforgettable and absurd "Tales from the Quadead Zone" is a must-see for fans of Z-grade trash.6 out of 10.
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A Must for Bad Movie Lovers
Michael_Elliott6 September 2015
Tales from the Quadead Zone (1987)

* 1/2 (out of 4)

A woman (Shirley Latanya Jones) is in her small house with the ghost of her dead son who wants to hear some stories. She sits him down in a chair and gets the book called Tales from the Quadead Zone and reads him two tales. The first story deals with a family of eight who only has enough food to feed four. The second story deals with a brother who steals the corpse of his much more successful and popular brother.

Yes, those are the two stories, which might confuse you since the title says "quad" and you might be expected four films. No, you get two and then a wrap-around story dealing with the mother and her ghost child but you have to wonder why a fourth film wasn't added or the title changed. Either way, this here is from filmmaker Chester Novell Turner whose previous movie BLACK DEVIL DOLL FROM HELL is without question one of the zaniest and wickedly bad movies ever made. This one here is just as bad on many levels but at the same time there's no question that both films has a certain charm if you're a fan of bad movies.

This thing here is certainly a mess because the first story dealing with the hungry family clocks in what seems like under ten minutes. The story is pretty much set up that the family is hungry and then it's over without any type of conclusion. A real head-scratcher of a sequence. The second story goes on and on and on with the brother constantly talking and laughing at the dead corpse. The first story should have been expanded and the second cut down for sure. Then there's the story with the mother and her dead son, which just drags out to get the running time to a total of 62 minutes!

If you're unaware of Chester Novell Turner then you should know that his movies were recorded on a camcorder with unprofessional actors. The camera-work is pretty bad and even worse is that a lot of times the added on music score is so loud that you can't hear the dialogue being said. Apparently the budget of this was just $11,000 and it certainly shows. With that said, there's no question this is a "bad" movie but if you're into these types of films then it's actually fairly entertaining. It's certainly feels long even at just 62 minutes but bad cinema lovers should eat it up. The rest should just avoid.
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8/10
A delectably dreadful doozy
Woodyanders7 June 2014
Warning: Spoilers
Chester Novell Turner, the fiercely independent and idiosyncratic Do-It-Yourself cinematic auteur who previously blessed us with the immortal "Black Devil Doll from Hell," returns for his second (and alas final) feature with this exceptionally inept horror anthology clunker. A loopy mother (essayed with an appealing lack of subtlety by Shirley Jones) reads a couple of bizarre stories to the ghost of her dead son. First yarn, "Food For?" - Hunger takes a bitter toll on a dirt poor white trash family. This outing boasts a gloriously ridiculous massacre and one hell of an idiotically abrupt ending. Second anecdote, "The Brothers" -- Sibling rivalry takes a turn for the super twisted when bitter loser Ted (a lame lead performance by Chester's real-life brother Keefe L. Turner) steals the corpse of his recently deceased and much more successful brother Fred so he can get the last laugh by humiliating the dude by dressing him up in a clown outfit and burying him in the basement of his house. This extremely drawn-out tale offers the single most sorry and unscary clown in horror movie history (the bozo's electronically distorted voice renders everything he exclaims almost impossible to understand). The wrap-around segment reaches its own grim and tragic conclusion complete with a spectacularly sidesplitting sequence of clumsily staged domestic violence. Better still, hardcore aficionados of choice crappy celluloid swill will also relish Turner's slack (non)direction, the plodding pace, a monotonous synthesizer score, the ugly shot-on-video cinematography, some shoddy gore, the tin-eared dialogue, the chintzy (far from) special effects, the hopelessly lousy acting from a pitiful no-name cast, and the uproariously atrocious theme song that's sung and written by Chester and Keefe. An absolute cruddy hoot.
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9/10
The mooted sequel to this cult S.O.V classic is long overdue!
Weirdling_Wolf31 January 2021
Cult Writer/ Director Chester N. Turner's frequently eerie, low budget terror triptych, 'Tales from the Quadead Zone' (1987) is a rightly revered, supernaturally skewed S. O. V, weird-beard horror anthology that I have been especially keen to view for quite some time and as an ardent fan of hearty, homemade horror fare, this surprisingly spooky, not infrequently kooky, delightfully doom-laden drama certainly didn't disappoint! Right from the fabulously garish titles Chester N. Turner's rudimentary electronic music creates an off-kilter, harshly foreboding vibe, almost absurd in its naivety but undeniably compelling at the same time!

The opening wraparound segment is a bitter sweet, melancholic sequence showing a kindly mother (Shirley L. Jones) reading aloud from the cumbrous looking tome 'Tales from the Quadead Zone' to the ghost of her dead child 'Bobby', utilizing a number of nifty old school practical effects along with some refined thesping from the absolutely adorable Shirley L. Jones we are thusly transported into the anthology's first sombre story concerning a financially depleted, close to starving family's crudely pragmatic approach to maximizing the penurious food budget that spectral scamp Bobby plainly enjoyed a little more than I did!

Keen for yet another marrow-frostingly fearful, spleen-sifting tale of bizarre misanthropy, Mr. Turner displays a divinely morbid sense of black humour in the more rigorous second instalment, being a sardonically downbeat descent into an especially sinister sibling rivalry that features some especially grave, creepy-crawly clowning about! It should also be noted that any individual that so exultingly brandishes a handy, mammary-shaped coffee mug is immediately conferred some righteous Dude-lord status! There is a vintage, agreeably bloody-minded H. G Lewis quality to the murky milieu of deeply entrenched hatred and long fulminating familial resentments whereby the film's brusque, unlovely editing, poor sound and stilted 'acting' seem to have miraculously increased the overall impact of this macabre sequence! Perhaps due in part to the earnest, unfussy filmmaking process it still translates remarkably well, with the brother's heated discourse within the claustrophobic confines of a dismal-looking basement culminating in a diabolical display of ghoulishly gung ho, lo-Fi grue!

The last instalment is by far the darkest tonally, both visually and emotionally raw, being richly imbued with a surprisingly stark emotional ferocity as the dire domestic drama erupts nastily with a palpably nasty edge, the grisly conclusion given additional gravitas by the capable, sweetly empathic performance by pretty Shirley Latanya Jones who not only delivers the most credible acting performance of this audaciously screwball horror anthology but also endows stalwart Indie filmmaker Chester N. Turner's rough-hewn horror gem with genuine pathos, and for an invisible, ethereal tyke, 'Bobby' still makes quite an impression! The mooted sequel to this underground cult S. O. V classic is long overdue!
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