A Dream Within a Dream: The Making of 'Picnic at Hanging Rock' (2004 Video) User Reviews

The enigmatic St. Valentine's Day Vanishing

[Coventry · 8/10 · 12 January 2022]

Even though slightly irrelevant and totally uninteresting, let me start by sharing a personal insight about me. I rarely ever watch any extra features on a DVD, and practically never any "making of" documentaries. What does happen very exceptionally, however, is that I encounter a film with which I so immensely fall in love with that I want to analyze and embrace every slightest detail of it. "Picnic at Hanging Rock" being such a seldom beauty, I was more than thrilled to check out the "A Dream Within a Dream" documentary.

One of the reasons why making of documentaries are not very exciting is because cast & crew members generally always say the same things, namely they loved the story, felt honored to be a part of the production, and forever consider it as one of the greatest films they ever worked on. "A Dream within a Dream" is also like that, but the difference here is that I genuinely believe these people. Among all the interviewed contributors of the film (director, producers, scriptwriter, composer, cinematographer, and various cast members), there's a noticeably immense respect and admiration for Joan Lindsay. She was the author of the book, who visited the set around the time of filming but passed away when the documentary was made, and fanatically safeguarded the fact that "Picnic at Hanging Rock" should always remain a mystery without solution. Anyone who has ever seen the film or read the book will probably concur with that. One of the - perhaps THE - reasons why this is such an intriguing and haunting tale is because there aren't any answers.

Furthermore, the documentary shares a handful of great and insightful production details, like how the actual picnic sequence got shot over the course of several days and always at the exact same time around noon to ensure the ideal type of daylight, and delightful trivia details. The one perplexing me the most was the history behind the typically English-looking boarding school building, and how it came to exist there in the middle of the Australian outback.

If you - like me - have "Picnic at Hanging Rock" listed among your all-time favorite movies, you will be fascinated by every interview and every insight. If not, this'll be just another "making of" documentary, but nevertheless a very well-made and professional one. Director Mark Hartley is a specialist in the matter, and a few years later he got a lot of well-deserved success with the brilliant "Not Quite Hollywood"; - a documentary about exploitation cinema in Australia.

Essential viewing for any "Picnic" fan

[liliesandroses · 10/10 · 27 December 2004]

I've just watched this documentary after receiving the Director's Cut of Picnic at Hanging Rock on DVD for Christmas (it's included on Disc Two), and found it truly compulsive viewing! I've adored the film (and of course the book) since I was a young girl and am lucky enough to have been to the Rock etc, and so was fascinated to hear about how the film came to "be" and, more interestingly, what has happened to the cast and crew in the 30 years since its release. I'm a huge Anne-Louise Lambert fan so was delighted to see such a long interview with her and see how beautifully she's aged :o) And of course to hear everyone's recollections about the making of the film, some of their eerie experiences at the Rock, and the behind-the-scenes gossip (they don't hold anything back!). Completely fascinating stuff!

Many dreams from many people and a mystery never to be explained!

[opsbooks · 10/10 · 6 January 2005]

'A Dream within a Dream' is a fine title for this superlative 2-hour documentary on the making of 'Picnic at Hanging Rock'. PAHR told the story of a group of girls from a decidedly English-style school who climb the mysterious Hanging Rock, their disappearance, and the aftermath. Set in the Australian bush in 1900, you may regard it as a mystery, a horror story or something else entirely.

Though author Joan Lindsay passed on many years ago, every cast and crew member has recollections of the grand lady and a 1975 interview is included as well. It is she who takes centre stage throughout, deservedly. Then and now shots of the actors make interesting content but all take on an enigmatic look whenever the author is mentioned. Behind the scenes shots and deleted scenes are included in context and most importantly, the alternative ending is included.

This documentary accompanies the special edition - director's cut of PAHR and to my way of thinking, leaves as many questions unanswered as the original movie!

"Am I a man dreaming I am a butterfly or a butterfly dreaming I am a man?"

[robert-temple-1 · 10/10 · 24 October 2010]

That quote from the Chinese philosopher Chuang Tze, who had dreamt that he was a butterfly, sums up the dilemma facing everyone who is confronted by the enigmatic PICNIC AT HANGING ROCK (1975, see my review of the recent director's cut). This fascinating two hour documentary attempts to decide whether Joan Lindsay's tale and Peter Weir's film of it were dream or reality, but it ends without the mystery being solved. 'A dream within a dream' is a quote from an Edgar Alan Poe story which Martin Sharp suggested to Weir that he insert as a voice over on the soundtrack, and it was one of the film's most effective moments. Everyone who was anyone in connection with this film is interviewed in this documentary with the exception of Rachel Roberts and Jane Vallis, who have both died, and Margaret Nelson, who has left acting and declined to participate. This is a pity, because Nelson's performance as the orphan girl Sara is perhaps the best job of acting in a film full of stunning performances, and apart from the amazing Anne Lambert, both Nelson and her character were the most enigmatic. One surprise in this documentary is that Anne Lambert, despite being 50 at the time, looks 30, and is still so beautiful one's eyeballs fall out. She reveals that she had a hard time of it during the shooting. She was shunned by all the other girls because she was too beautiful, and they all ganged up on her to prevent her speaking to the young actor Dominic Guard on whom one of the other girls had a crush, so Lambert must be kept away from him at all costs. (That's girl gangs for you, for whom a Botticelli angel counts as a black sheep.) Rachel Roberts, a difficult and demanding woman, isolated herself from all the girls and refused to speak to a single one of them off camera. So Anne Lambert was left with no one to talk to for weeks. A pity I didn't know, I would have been on the next plane, and so would ten thousand others, I'm sure. Christine Schuler, who played chunky screaming Edith, seems a sweet person, who cried about Jane Vallis's death and waxed highly sentimental. If only she would eat less. The interviews with Peter Weir, the McElroy brothers and Patricia Lovell (the three producers) are extremely enlightening and make for compelling viewing. Both old TV interviews with Joan Lindsay, the author, are drawn upon. They are shown in full as 'extras' on the new three-disc special edition DVD of PICNIC which contains this documentary along with the director's cut of the main film, and which cannot be recommended highly enough as one of the finest DVD issues of recent years. Helen Morse makes a wonderful impression. She has become not only leaner but rather ascetic looking. She was always a raving beauty, who as someone says here, could have been a major international star if she had not turned down so many parts. Her comments were among the most interesting and perceptive. She said her favourite scene was the picnic at the foot of the Rock. The cinematographer Russell Boyd described how it took a week to shoot that because the light was only right for one hour a day, so they shot for one hour and then climbed back up the Rock to shoot something else, and carried on like that for days. Few producers would have permitted it, but it 'made' the picture, as everyone now agrees. It is in fact the picnic scene that epitomizes the dreamlike trance which fell over everyone in the story, and indeed it persisted to some extent in the making of the film as well. For instance, in that scene, two watches stop dead at noon. But according to some who are interviewed here, several watches really were stopped during the production at Hanging Rock. Strangest of all is the revelation made by Joan Lindsay in an old TV interview also on this disc that she was a watch-stopper. She said she often 'made people's watches stop' all her life just by sitting next to them, and she had no idea what force was at work. So that is pretty weird, and getting rather Uri Geller-ish, which considering how strange the story is, is more or less what one might expect! The mystery of what really happened, how much was real, how much invented, has been an impenetrable puzzle all these years. But a few new clues emerge from this documentary and from Joan Lindsay's interviews which lead me to conclude that what is really behind this is a passionate love which Joan formed for another girl at her boarding school (the Miranda figure, played by Anne Lambert). Anne Lambert here tells the amazing story that on the day Joan Lindsay visited the location during filming, she went up to Anne, passionately embraced her and spoke ecstatically into her ear calling her 'Miranda' and saying at last she could see her again after all this time. She never acknowledged that Anne was Anne! Joan always insisted that part of the story was true and part was invented. Since there is a memorial nearby to three girls who disappeared in 1867, but not at Hanging Rock itself, I believe that Joan transposed the trauma of her great loss of a girl she adored at school into an imagined version of the disappearance of the three girls, and placed it on the mysterious, eerie, and incredible Hanging Rock, which is surely one of the strangest places on earth, and which had haunted Joan Lindsay since she was three years old, when she first saw it. This story is really about young Joan Lindsay's loss of her one great love, another girl.