I'm conflicted.
I don't want to dis the plot summary - written by the writer/director - but it doesn't really give a taste of the film.
Bo is a bit of insufferable gear-head and his wife is seriously fed up with him.
He has a bicycle accident, caused - well - no spoilers, but its largely to do with him being an insufferable gear-head.
And then? And then everything changes. Or, rather, Bo does.
And his wife can't bear it. And continues not to. This is more than concussion, this is transcendent brain damage. I liked Bo after his accident. Respected him.
Not a perfect film, but a film about growth, and hope, and change. Albeit after a knock on the head, but, hey. You gotta start somewhere.
I'm left with warm feelings, escapist feelings, a sense of freedom, of hope.
Hey, that's not bad, is it? I had to suspend clinical disbelief, (I'm a psychotherapist), but I still came away optimistic, touched, moved. Which, quite frankly, isn't bad for a film which is real, gritty, and grounded well on the serious side of any sweet, fairytale line.
Karen Goodman writes well, and directs better. I really hope she goes (much) further.
PS check my other reviews. NO connections to the film at all.
I don't want to dis the plot summary - written by the writer/director - but it doesn't really give a taste of the film.
Bo is a bit of insufferable gear-head and his wife is seriously fed up with him.
He has a bicycle accident, caused - well - no spoilers, but its largely to do with him being an insufferable gear-head.
And then? And then everything changes. Or, rather, Bo does.
And his wife can't bear it. And continues not to. This is more than concussion, this is transcendent brain damage. I liked Bo after his accident. Respected him.
Not a perfect film, but a film about growth, and hope, and change. Albeit after a knock on the head, but, hey. You gotta start somewhere.
I'm left with warm feelings, escapist feelings, a sense of freedom, of hope.
Hey, that's not bad, is it? I had to suspend clinical disbelief, (I'm a psychotherapist), but I still came away optimistic, touched, moved. Which, quite frankly, isn't bad for a film which is real, gritty, and grounded well on the serious side of any sweet, fairytale line.
Karen Goodman writes well, and directs better. I really hope she goes (much) further.
PS check my other reviews. NO connections to the film at all.