Directed by
Sophie Fiennes |
Writing Credits (in alphabetical order)
T.S. Eliot |
Cast (in credits order)
Ralph Fiennes | ... | Performer |
Produced by
Mark Bell | ... | executive producer: BBC |
Brook Crowley | ... | assistant producer: The Dry Salvages |
James Dacre | ... | executive producer |
Ralph Fiennes | ... | producer |
Sophie Fiennes | ... | producer |
Shani Hinton | ... | producer |
Peregrine Kitchener-Fellowes | ... | line producer (as PK Fellowes) |
Danny Moar | ... | executive producer |
Martin Rosenbaum | ... | producer |
Cinematography by
Mike Eley |
Editing by
Sophie Fiennes |
Production Design by
Hildegard Bechtler |
Costume Design by
Hildegard Bechtler |
Makeup Department
Lisa Mustafa | ... | hair & make up |
Production Management
Jim Leaver | ... | production manager |
Second Unit Director or Assistant Director
Harry Lowther | ... | assistant director |
Art Department
Bob Belson | ... | carpenter |
Lizzie Franki | ... | props supervisor |
Silvia Gaspardo Moro | ... | poster |
Andy Stubbs | ... | carpenter |
Sound Department
Philippe Ciompi | ... | re-recording mixer / sound designer |
Nick Laws | ... | sound operator |
Christopher Shutt | ... | sound designer |
Oliver Waton | ... | sound recordist |
Gavin Winterborn | ... | boom operator |
Visual Effects by
Alex Seery | ... | workflow supervisor |
Camera and Electrical Department
Jason Acero | ... | grip trainee: Burnt Norton |
Juliette Carton | ... | camera trainee: Little Gidding |
Lisa Cottington | ... | first assistant camera |
Andrew Douglas | ... | director of photography: The Dry Salvages |
Harry Elvin | ... | head tech |
Martin Elvin | ... | crane tech |
Harry Fernberger | ... | assistant camera: The Dry Salvages |
John P. Fitzpatrick | ... | camera operator: The Dry Salvages (as John Fitzpatrick) |
Sonic Harrison | ... | electrician |
Reece Hearnshaw | ... | key grip |
Matt Humphrey | ... | still photographer |
Dan Huntley | ... | key grip: Little Gidding |
Luke Jefferson | ... | first assistant camera: Little Gidding |
Tim Lutkin | ... | lighting designer |
Paul Mammone | ... | key grip: Burnt Norton/East Coker |
Graham Martyr | ... | first assistant camera: Burnt Norton |
Davide Scalenghe Migliarini | ... | second assistant camera: Burnt Norton |
Alexandra Médeville | ... | second camera assistant |
Richard Saunders | ... | lighting |
Ben Smith | ... | camera trainee |
Nick Gordon Smith | ... | addition photography / director of photography: East Coker/Little Gidding |
Jonny Stillwell | ... | second assistant camera |
James Sweeting | ... | grip trainee |
Alex Tate | ... | grip |
Andy Taylor | ... | lighting |
Costume and Wardrobe Department
Gabriel Firth | ... | costume dyeing |
Ralph Mills | ... | dresser |
Fred Nieddu | ... | tailor: Mr Fiennes |
Lee Reikert | ... | tailor: Mr Fiennes |
Editorial Department
Joshua Callis-Smith | ... | on-line editor |
RJ Fernandez | ... | additional color |
Marsela Jakaj | ... | post-production coordinator |
Ryan Morris | ... | post-production coordinator |
Alex Seery | ... | colorist |
Richard Simpson | ... | post supervisor (as Rich Simpson) |
Music Department
Peter Gregson | ... | writer & performer: "Inside" |
Script and Continuity Department
Eva Sampson | ... | script supervisor |
Additional Crew
Laura Coates | ... | assistant: Ralph Fiennes |
James Dacre | ... | creative producer: original stage production |
Vicky Eames | ... | deputy stage manager (as Victoria Eames) |
Ralph Fiennes | ... | stage director |
Eugene Hibbert | ... | general manager: Theatre Royal Bath |
Stanley Hinton | ... | production assistant |
Allegra Marland | ... | production assistant |
Eva Sampson | ... | associate stage director |
Andrew Speed | ... | company manager / stage manager |
Fin Walker | ... | coach: physicality/expression |