Near future Britain. There's a curfew.
But an ambulance driver breaks that, heading off to the start of a very special race.
Then it's twelve hours earlier. Agh! That overused story device again! But it follows said driver and other characters into how they got into said race in the first place.
Which is a way to get out of this nightmare Britain and to a place where you can live happily ever after.
In addition to said ambulance driver, a decent woman having a bad day, there's a also a family. Whose dad is a decent man driven to do desperate things but not quite able to shake his decency. A few other characters all of whom tie with this lot. And Sean Bean. Playing Sean B and seemingly enjoying doing it.
This takes itself rather seriously, all takes place at night and thus is figuratively and literally dark. It is in a strange way quite refreshing to see something that doesn't pull its punches in depicting the effect of being shot. There is strong language on a couple of occasions.
It does seem rather too determined to be realistic, when perhaps a more grindhouse approach might work better.
But then you find why they have the curfew. Which really is a grindhouse moment. Not played as such.
And yet, it rather had me from then on.. Even with flashbacks in the middle of one long flashback. But the episode ends having done all the set up required, so next week should have car races.
Not great art. Don't expect it to be such. But watchable enough to make me want to see what happens next.
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