Slow-burn to an almighty finish. (Slight Spoilers).
27 August 2004
Warning: Spoilers
Most action movies don't bother with such simple devices as plot, characters or an engaging storyline. Some would say that this is a genre strength, an excuse to turn away from highbrow thought to high-key, mindless mayhem. Whilst that is all well and good, most people eventually find themselves wanting...more. That little bit extra to garnish an already tasty dish. Here, Christopher McQuarrie presents a whole lotta extra treats, whilst never losing his grip upon tension or bloody spectacle. Rambo-lovers, however, should best stay clear, for this is undoubtedly a Thinking man's shoot 'em up. When,as an example, did the "hero" confess to feeling guilt over murdering a paedophile? Conduct torture purely for cash? Get royally shafted in what we assumed would be an all-out celebration of hip carnage? Bear in mind that this was 200, a whole year before Spider-Man told folk that "it's ok to cry whilst kicking the sh*t out of somebody". Brave stuff. Were this all that Chris provided in the way of innovation, it'd still be mightily impressive, yet he also shows some serious balls within structural limits. As opposed to having bullet dance/chat/explosion/one-liner, he allows moments to build, ebbing, flowing, surely swelling into one large tidal wave of carnage. By the time blood begins to shed, an audience is engaged with two low-life antiheros, whilst sympathising with their-refreshingly scarred-nemesis. It's truly remarkable to see well-choreographed brutality mixing delicately with excellent performances, there's that constant "Yes, i GET you!" feeling beneath every frame. Sit back, tune your head and, and relish this sun-drenched delight.
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